About
Issey Scott is an art writer and curator based in London. Trained in contemporary art theory, her interests lie in emerging artists and independent spaces, global warming and sustainability and accessibility in the art world. Her writing has appeared in publications including Candid Magazine, The Big Issue, RIBA and Floorr Magazine. She has curated projects at South London Gallery, Anise Gallery, Geffrye Museum of the Home and arebyte. November 2020 will see her first solo curating project at Back Room Gallery in Peckham.
Recent commissions include an exhibition text for 'Chrysalis' at Wimbledon Space and fortnightly pieces on the future of craft for Cluster Crafts' new Journal feature.
Aside from reviews as part of Let's Make Lots of Monet, her writing can be found below, spanning arts and culture:
Recent commissions include an exhibition text for 'Chrysalis' at Wimbledon Space and fortnightly pieces on the future of craft for Cluster Crafts' new Journal feature.
Aside from reviews as part of Let's Make Lots of Monet, her writing can be found below, spanning arts and culture:
Cluster Journal [2020]
Essay commissioned to accompany group exhibition 'Chrysalis' at Wimbledon Space [2020]
The Gallyry [2019-present]
South East 15 [2019-present]
Exhibition review: Caroline May at Camberwell Space
Essay accompanying Lotti V Closs' solo exhibition 'In Plain Sight' at Castor Projects [2017]
Candid Magazine [2016-2019]
Exhibition review: Oceania at the Royal Academy of Arts
Exhibition review: Animals and Us at Turner Contemporary
Exhibition review: Paola Ciarska at IMT Gallery
Exhibition review: Mary Ramsden at Pilar Corrias
Exhibition review: I Really Miss You Until You're Here at White Conduit Projects
GDC Interiors Journal [2016]
Ephemeral Magazine [2016]
Installation view from Bare Cheek, curated by Issey Scott and Rosemary Jane Cronin, 19 November 2017, arebyte_gallery.
