About
Issey Scott is an art writer and curator based in London. Trained in contemporary art theory at Goldsmiths, University of London, her interests include gender-bending, independent spaces, global warming and meaningful community engagement in visual arts. Her writing has appeared in publications including Candid Magazine, The Big Issue, RIBA, Floorr Magazine and Cluster Journal. Issey has curated projects at South London Gallery, Anise Gallery, Museum of the Home and arebyte, and has produced exhibition texts for Castor Gallery and Wimbledon Space. 2021 will see her first solo curating project at Back Room Gallery in London.
Aside from reviews as part of Let's Make Lots of Monet, her writing can be found below, spanning arts and culture:
Aside from reviews as part of Let's Make Lots of Monet, her writing can be found below, spanning arts and culture:
Cluster Journal [2020]
Essay commissioned to accompany group exhibition 'Chrysalis' at Wimbledon Space [2020]
The Gallyry [2019-present]
South East 15 [2019-present]
Exhibition review: Caroline May at Camberwell Space
Essay accompanying Lotti V Closs' solo exhibition 'In Plain Sight' at Castor Projects [2017]
Candid Magazine [2016-2019]
Exhibition review: Oceania at the Royal Academy of Arts
Exhibition review: Animals and Us at Turner Contemporary
Exhibition review: Paola Ciarska at IMT Gallery
Exhibition review: Mary Ramsden at Pilar Corrias
Exhibition review: I Really Miss You Until You're Here at White Conduit Projects
GDC Interiors Journal [2016]
Ephemeral Magazine [2016]